Tuesday, December 16, 2008

bali stone handicraft,mormon stone handicraft,indonasian handicraftStone handicrafts manufacturer and exporter from India


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Cultural associations
As the favorite medium for Greek and Roman sculptors and architects (see classical sculpture), marble has become a cultural symbol of tradition and refined taste. Its extremely varied and colorful patterns make it a favorite decorative material, and it is often imitated in background patterns for computer displays, etc.

Places named after the stone include Marblehead, Ohio; Marble Arch, London; the Sea of Marmara; India's Marble Rocks; and the towns of Marble, Minnesota; Marble, Colorado; and Marble Hill, Manhattan, New York. The Elgin Marbles are marble sculptures from the Parthenon that are on display in the British Museum. They were brought to Britain by the Earl of Elgin.
History
Faux stone painting was widely used in Pompeii, but it really took off in Europe during the Renaissance with two schools of faux painting developing. The Italian school was loose and artistic, the French school was formal and realistic. It typically took an apprentice ten years or more to fully master the art. The sophistication of the techniques are such that visitors are frequently unable to distinguish between false and real marble in many churches, palaces and public buildings in Europe. The techniques were perfected by the 17th century and have been used in all styles of construction well into the 20th century, including Baroque, palladian, neoclassical and historical revival styles as well as Art Nouveau and Art Deco buildings. Craftsmen who are able to replicate this work are still available, as evidenced, for example, by the extensive restorations of faux marble surfaces in important Eastern Europe buildings since 1990.

The art of marbling and graining reached its apogee in Britain between 1845 and 1870, and during this period the acknowledged master was Thomas Kershaw.{cn}

Kershaw was born in Standish, Lancashire England in April in 1819. At the age of twelve he was apprenticed to Mr. John Platt of Bolton who was paid the sum of Twenty Three Pounds by Kershaw’s father in order that his son could be instructed in the craft of house painting. He worked ten hours a day and six days a week. He completed his apprenticeship at the age of twenty one.

He achieved international fame, winning a number of the most prestigious awards at the major exhibitions of the age; The Great Exhibition, London, 1851 - a first prize medal; Exposition Universelle, Paris, 1855 - a first class medal; London Exhibition, 1862 - first prize.

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